Following are some Andra Day quotes which we have in our database of Quotes of Andra Day.
Soul music is true to its name. It's music that connects to your soul, your spirit. When music resonates with people's spirit like that, when people can emotionally connect with something or it helps to heal them, transform them, that never goes
I decided to see how my voice sounds on different type of records. So I did Eminem and the Biggie, Florence and the Machine, and Muse covers. A couple of them just came from some jam sessions between me and my sister in her bedroom at my father's hou
My style icons are Lucille Ball for her bouffant hair and all the updos, James Dean for his rockabilly style - the denim and rolled-up T-shirt thing. And I am also inspired by Dita Von Teese and Gwen Stefani. Their style is retro, but it's still very
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high sc
I get people today who say, 'I first heard about you through the Stevie Wonder commercial.' The power of advertising in that way is incredible.
I went to a performing arts school, and we studied musical theater, jazz vocal performance, and they kind of start you out on those things because they feel like it is a good foundation, and it was.
I search for items that have history, like vintage finds - I love fur kitten-heel house slippers from the 1950s - and pieces from fashion houses that have been around for a long time, like Chanel and Dior.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started workin
The album 'Cheers to the Fall' is really kind of me breaking out and being like, 'Listen, I don't care about criticism, and I don't care about possibility of failure. I'm going to do it. And if I do fail, well then, here'
I pray, read the word, and then creative stuff happens here. Problem-solving and all of that comes into that space. So 'Da Box' actually represents my sanctuary and that time. I might look trapped in a box, but I'm actually more free in tha
I give credit to my team. I have dedicated people from my label, my fans, and people at these companies that believe in me.
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll b
That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force
I gleaned different style ideas over the years. In Southern California, there is a big rockabilly sub-culture. So when I would go to car shows, I would see women dressed like this. I had a teacher in high school that always had her Bette Paige bangs.
I tell people all the time - I'm a very spiritual person, so I pray over everything that I do including creating music, a new song.
I play with doing a forehead bun a lot, just a bantu knot right in front of the forehead and keep it in with a clip. And I like doing real pinup styles but based on my natural hair.
As a singer, if I'm in a room that is too cold, I kind of freak out, so I actually like the humidity, and I love the heat.
Whichever chord progressions move me, whether it's rock, jazz, doo-wop or soul, I'm going to put it together and not be worried about whether people can put it in a lane or not.
I try to avoid hairspray, gel, and heat as much as I can - I will use a pomade or a very heavy conditioner to style it the way that I want it.
I really like jazz and soul, but I also love so many other types of music, and I didn't want to be afraid to blend and experiment.
I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.
I like the Victory rolls, beehive, pompadour - all of that stuff. It's just cool. And actually, with ethnic hair, oddly enough, it works so well because I don't have to tease my hair to get body.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so di
At a young age, I wanted to be a prima ballerina and had these grand ideas that I would go study at Juilliard. It's something I laugh about now.
The reach of Coke and McDonald's is undeniable, and I'm thrilled these iconic brands are joining forces to inspire local communities through messages of peace and motivation in unique ways. It's an added bonus that they are using the lyrics
I'm very obsessed with pop culture of the mid-century and it goes hand-in-hand with the music that I studied in school.
I actually like the sort of industrial, working-class woman like Rosie the Riveter, so I'm kind of like the sort of street style of the '50s.
I was always inundated with music, whether it be my mother's favorites like Fleetwood Mac and Carole King and the Carpenters, or my dad's jazz music.
I established early what I was and wasn't willing to accept. People tried to say what I had to do, whether it be pop or R&B, to be successful. Even when I was in the girl group, they would try to make our voices sound very radio-friendly and fit
Once you see how powerful music is and how it can affect people, then you want to use it to impact the world.
When I graduated, everyone was like, 'You got to do pop and R&B to make it,' like very contemporary pop and R&B. I tried for a little while, but I just realized my voice wasn't quite fitting some of the records that I was doing.
I struggled academically in high school because it was hard to focus. It was hard to focus on those things that were other than artistic stuff.
I didn't want to box it in or say this show caters to this type of person… I think the tide of music is changing. We don't have to worry about rules. We should just do what feels good.
I'm a huge Lauryn Hill and Erykah Badu fan, so working with those two in any capacity would be a dream.
When I'm not working, I still love bright colors and patterns, but I choose pieces that are much more casual - I call it my lazy pinup look.
I'm excited for the audiences to hear the title track, 'Cheers to the Fall,' plus 'Red Flags' and 'Rearview.'
My father loved music. He loved Motown and R&B, and my mother loved Journey and Fleetwood Mac, so they were always listening to it and playing it.
Musically, I try not to box things in. I try to just play around this spectrum of influences: soul, jazz, and hip-hop.
I always loved music and was drawn to it and affected by it. But it wasn't until I got to San Diego that I started exploring music more.
I was living with my mom in a tiny apartment in Chula Vista, near Third and H Street behind the 7-Eleven. It was crazy to be on the phone with Stevie Wonder. I felt like a meteor hit our apartment!
I was a dancer for long time. And you always hear that ballet is the core of dance, and that - once you have that down - you can do everything else. For me, jazz is like that for music.
I've been blessed with so many opportunities and so many amazing things throughout this process. But all the while, I remember that the reason that I'm here and the reason that I do music and tell these stories is that people come to know the lo
It was so surreal, having my parents hear the President and First Lady saying to me, 'Good to see you again! We're so proud of you. We watched you on the Grammys and were like, 'That's our girl!'
It would have been so awesome to be born in the Thirties and be in your prime in the Fifties. Except for the whole being black thing, obviously!
My style was established in the Forties and Fifties, then got dragged through the decades and picked up a couple more things on the way.
My band and I are even closer. They've grown with me over four years, so we're closer and closer and closer.
I'm grateful for the fans who've been there from the beginning and am excited about how we've grown and how we've evolved now.
'Rise Up' is definitely my baby. I think it was a gift because, you know, it's like God just spoke to me and wrote that song. It's very powerful.
My faith was eventually what helped me face myself, tell the truth about everything I had done, face criticism, cope with guilt, pain, and grow from all of it.
At my shows, I like everyone to have a good time… but, I like for us to be real because there's freedom in that.
When you walk in the front of the White House, the pictures on the walls, they change out pretty frequently. They're all very cool and historical, with pictures from the current term and past terms.
Listening to the stories told in jazz music and how those artists expressed their truths about the times and what they were dealing with is what struck me the most.